Q: How has your use of photography changed over the years?
A: When my husband, Bryan, was alive I barely picked up a camera, except to photograph sights encountered during our travels.
Throughout the 1990s and ending in 2007, I worked on my series of pastel-on-sandpaper paintings called, “Domestic Threats.” These were realistic depictions of elaborate scenes that I staged first in our 1932 Sears house in Alexandria, Virginia, next in a New York sixth floor walk-up apartment, and finally in my current New York apartment.
I use Mexican masks, carved wooden animals, and other folk art figures that I discovered on trips to Mexico. I staged and lit these setups, while Bryan photographed them using his Toyo-Omega 4 x 5 view camera. We had been collaborating this way almost from the beginning (circa 1991). Having been introduced to photography by his father at the age of 6, Bryan was a terrific amateur photographer.
Bryan would shoot two pieces of 4 x 5 film at different exposures and I would select one, generally the one that showed the most detail in the shadows, to make into a 20 x 24 photograph. The photograph would be my starting point for making the pastel painting. Although I work from life, too, I could not make a painting without mostly looking at a reference photo.
After Bryan was killed on 9/11, I had no choice but to study photography. I completed a series of photography classes at the International Center of Photography in New York, turned myself into a skilled photographer, and presented my first solo photography exhibition at HP Garcia in New York in 2009.
Comments are welcome!
Posted on March 25, 2017, in An Artist's Life, Domestic Threats, Photography, Working methods and tagged Bryan, c-print, Domestic Threats, HP Garcia, International Center of Photography, New York, photography, Sears house. Bookmark the permalink. Comments Off on Q: How has your use of photography changed over the years?.