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Q: Do you name your characters?

Lola in "He Urged Her to Abdicate," soft pastel on sandpaper

Lola in “He Urged Her to Abdicate,” soft pastel on sandpaper

A:  No, normally I don’t, but there is one notable exception.  Lola – I could hardly call her any other name – is a red-dressed, cigarette-smoking, black-stocking cloth doll made by an artist in Mexico City.  I never met her creator, but years ago a man came into my Alexandria, Virginia studio (where I had a studio at the Torpedo Factory, an art center that is open to the public), and announced that he knew Lola’s maker and he, the maker, would be extremely pleased with what I’d done with her – made her the star of several of my pastel-on-sandpaper paintings.  Many years later Lola continues to be one of my favorite characters and “He Urged Her to Abdicate,” set in the bathroom of a six floor walk-up I rented when I first moved to New York, is my favorite Lola painting. 

To learn more about this painting, please read the essay by Britta Konau on page 10 at:

Click to access DomesticThreats.pdf

Comments are welcome!

Q: Do the figures go on to play different roles in different paintings or are their characters recurring?

"His Mortal Enemy Was Poised Ready to Strike," soft pastel on sandpaper

“His Mortal Enemy Was Poised Ready to Strike,” soft pastel on sandpaper

A: The dolls and other objects play different roles in each painting and I paint them differently to reflect this. If you take one figure and follow it through the series, you’ll notice that it evolves quite a bit. I continue to think of each figure as an actor in a repertory company.