Monthly Archives: December 2017

Pearls from artists* #278

National Museum of Ethnography and Folklore, La Paz, Bolivia

National Museum of Ethnography and Folklore, La Paz, Bolivia

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Inspiration is an unforeseen quantity, the muse that assails at the hidden hour.  The arrows fly and one is unaware of being struck, and that a host of unrelated catalysts have joined clandestinely to form a system of its own, rendering one with the vibrations of an incurable disease – a burning imagination – at once unholy and divine. 

Patti Smith in Devotion

Comments are welcome!

Q: Would you describe how you are taking soft pastel in new directions as a fine art medium?

Barbara at work, Photo: Marianne Barcellona

Barbara at work, Photo: Marianne Barcellona

A:  I have been devoted to soft pastel for more than thirty years.  In this blog and in countless interviews online and elsewhere, I continue to expound on its merits.  For me no other fine art medium comes close.

I have developed my own original methods for working with soft pastel, pushing this venerable 500-year-old medium to its limits and using it in ways that no one has done before.  I have created a unique science of color in which I layer and blend pigments.  When viewers (including fellow artists) see my work in person for the first time, they often ask, “What medium is this?”  

My self-invented techniques for using soft pastel achieve rich velvety textures and exceptionally vibrant color.  Blending with my fingers, I painstakingly apply dozens of layers of pastel onto acid-free sandpaper.  In addition to the thousands of pastels that I have to choose from, I blend new colors directly on the paper.  Each pastel painting takes about three months and hundreds of hours to complete. 

My subject matter is singular.  I am drawn to Mexican, Guatemalan, and Bolivian cultural objects—masks, carved wooden animals, papier mâché figures, and toys.  On trips to these places and elsewhere I frequent local mask shops, markets, and bazaars searching for the figures that will populate my pastel paintings.  How, why, when, and where these objects come into my life is an important part of the creative process.  Each pastel painting is a highly personal blend of reality, fantasy, and autobiography.

Comments are welcome!  

Pearls from artists* # 277

Lake Titicaca above Cocabana, Bolivia

Lake Titicaca above Cocacabana, Bolivia

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

 Einstein wrote, “The most beautiful experience  we can have is the mysterious.  It is the fundamental emotion which stands at the cradle of true art and true science.”  What did Einstein mean by “the mysterious?”  I don’t think he meant that science is full of unpredictable or unknowable supernatural forces.  I believe that he meant a sense of awe, a sense that there are things larger than us, that we do not have all the answers at this moment.  A sense that we can stand right at the edge between known and unknown and gaze into that cavern and be exhilarated rather than frightened.  Just as Einstein suggested, I have experienced that beautiful mystery both as a physicist and as a novelist.  As a physicist, in the infinite mystery of physical nature.  As a novelist, in the  infinite mystery of human nature and the power of words to portray some of that mystery.     

Alan Lightman in A Sense of the Mysterious:  Science and the Human Spirit

Comments are welcome!

Start/Finish of “Stalemate,” soft pastel on sandpaper, 38″ x 58″

Start

Start

Finished and signed, lower right

Finished and signed, lower right

Comments are welcome!