Monthly Archives: June 2017

Pearls from artists* # 253

Barbara's studio with works in progress

Barbara’s studio with works in progress

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

There is a notion that creative people are absent-minded, reckless, heedless of social customs and obligations.  It is, hopefully, true.  For they are in another world altogether.  It is a world where the third self is governor.  Neither is the purity of art the innocence of childhood, if there is such a thing.  One’s life as a child, with all its emotional rages and ranges, is but grass for the winged horse – it must be chewed well in those savage teeth.  There are irreconcilable differences between acknowledging and examining the fabulations of one’s past and dressing them up as though they were adult figures, fit for art, which they will never be.  The working, concentrating artist is an adult who refuses interruption from himself, who remains absorbed and energized in and by the work – who is responsible to the work. 

Mary Oliver in Upstream: Selected Essays

Comments are welcome!

Q: What would you say is your underlying motivation as a contemporary artist?

Museum of Ethnography and Folklore, La Paz, Bolivia

Museum of Ethnography and Folklore, La Paz, Bolivia

A:  What motivates me is the desire to make great art, to develop my innate talents to their fullest, to share the hard-won knowledge I have gained along the way, and to bring as much beauty into this life as possible.  It’s never been easy, but I’m trying to spend my short time on this earth as an artist, doing the work I was always meant to do!

Comments are welcome! 

Pearls from artists* # 252

Above the Panamerican Highway in southern Peru

Above the Panamerican Highway in southern Peru

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

All the world is taken in through the eye, to reach the soul, where it becomes more, representative of a realm deeper than appearances: a realm ideal and sublime, a deep stillness that is, whose whole proclamation is the silence and the lack of material instance in which, patiently and radiantly, the universe exists. 

Mary Oliver in Upstream: Selected Essays

Comments are welcome!

Start/Finish of “The Ancestors,” soft pastel on sandpaper, 58″ x 38″ image, 70″ x 50″ framed

Beginning

Beginning

Finished

Finished

Comments are welcome!

Pearls from artists* # 251

"Quartet," soft pastel on sandpaper, 58" x 38" image, 70" x 50" framed

“Quartet,” soft pastel on sandpaper, 58″ x 38″ image, 70″ x 50″ framed

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Interviewer:  Is there any possible formula to follow in order to be a good novelist”

Faulkner:  … Ninety-nine per cent talent… 99 per cent discipline… 99 per cent work.  He must never be satisfied with what he does.  It is never as good as it can be done.  Always shoot higher than you know you can do.  Don’t bother just to be better than your contemporaries or predecessors.  Try to be better than yourself. 

William Faulkner in Writers at Work:  The Paris Review Interviews First Series, edited, and with an introduction by Malcolm Crowley

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am putting a few finishing touches on “Conundrum,” soft pastel on sandpaper, 38″ x 58″.

Comments  are welcome!